Preto & Branco



Uma das razões de o racismo ser estúpido está contida neste excelente, «The History of White People», da autoria de Nell Irvin Painter, e que aqui será analisado dentro em breve. Excertos da crítica ao mesmo, no NY Times, por Linda Gordon:

«Nell Irvin Painter’s title, “The History of White People,” is a provocation in several ways: it’s monumental in sweep, and its absurd grandiosity should call to mind the fact that writing a “History of Black People” might seem perfectly reasonable to white people. But the title is literally accurate, because the book traces characterizations of the lighter-skinned people we call white today, starting with the ancient Scythians. For those who have not yet registered how much these characterizations have changed, let me assure you that sensory observation was not the basis of racial nomenclature. (...)

“Whiteness studies” have so proliferated in the last two decades that historians might be forgiven a yawn in response to being told that racial divisions are fundamentally arbitrary, and that deciding who is white has been not only fluid but also heavily influenced by class and culture. In some Latin American countries, for example, the term blanquearse, to bleach oneself, is used to mean moving upward in class status. But this concept — the social and cultural construction of race over time — remains harder for many people to understand than, say, the notion that gender is a social and cultural construction, unlike sex. As recently as 10 years ago, some of my undergraduate students at the University of Wisconsin heard my explanations of critical race theory as a denial of observable physical differences.

I wish I had had this book to offer them. Painter, a renowned historian recently retired from Princeton, has written an unusual study: an intellectual history, with occasional excursions to examine vernacular usage, for popular audiences. It has much to teach everyone, including whiteness experts, but it is accessible and breezy, its coverage broad and therefore necessarily superficial. (...)


The modern concept of a Caucasian race, which students my age were taught in school, came from Johann Friedrich Blumenbach of Göttingen, the most influential of this generation of race scholars. Switching from skulls to skin, he divided humans into five races by color — white, yellow, copper, tawny, and tawny-black to jet-black — but he ascribed these differences to climate. Still convinced that people of the Caucasus were the paragons of beauty, he placed residents of North Africa and India in the Caucasian category, sliding into a linguistic analysis based on the common derivation of Indo-European languages. That category, Painter notes, soon slipped free of any geographic or linguistic moorings and became a quasi-­scientific term for a race known as “white.”»

Texto completo aqui.

 

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